{"id":10381,"date":"2012-01-25T13:43:00","date_gmt":"2012-01-25T21:43:00","guid":{"rendered":"https:\/\/ftllp.net\/?p=10381"},"modified":"2024-11-04T12:25:05","modified_gmt":"2024-11-04T20:25:05","slug":"globes-trial-focuses-on-history-of-dispute","status":"publish","type":"post","link":"https:\/\/dev.creativespikedigital.com\/lftc\/news\/entertainment\/globes-trial-focuses-on-history-of-dispute\/","title":{"rendered":"Globes trial focuses on history of dispute"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">HFPA, Dick Clark Prods. feuded in 2001, 2002<\/h2>\n\n\n\n<p>The trial over the rights to the Golden Globe Awards focused Wednesday on the years 2001 and 2002, as the Hollywood Foreign Press Assn.\u2019s relationship with Dick Clark Prods. became increasingly acrimonious and members began to complain they were losing control over their most valuable asset.<\/p>\n\n\n\n<p>The HFPA filed suit against DCP in November 2010, disputing another contract that the longtime producer of its kudocast made with NBC extending the network\u2019s broadcast rights through 2018. In its suit, the HFPA said that DCP should have obtained its consent first.<\/p>\n\n\n\n<p>Testimony, however, showed that tensions between the HFPA and Dick Clark Prods. started much earlier.<\/p>\n\n\n\n<p>Francis LaMaina, former president of Dick Clark Prods., on the witness stand for a second day, told of landing a lucrative new deal with NBC in 2001 to extend the network\u2019s rights to the Globes through 2011. The deal was worth $100 million, a whopping sum that was greeted with enthusiasm by the HFPA board.<\/p>\n\n\n\n<p>But in September of the next year, after DCP\u2019s relationship with the HFPA started to sour, <a href=\"https:\/\/dev.creativespikedigital.com\/lftc\/attorneys\/bryan-j-freedman\/\">the HFPA retained an attorney, Bryan Freedman<\/a>, to send a letter to Dick Clark Prods. disputing its exercise of options to produce the show during that period.<\/p>\n\n\n\n<p>LaMaina said it did, based on an \u201cextensions clause\u201d in a previous 1993 pact giving it the options to produce the show as long as it landed a broadcast agreement with NBC.<\/p>\n\n\n\n<p>LaMaina enlisted attorney Bert Fields to write a response, warning that the HFPA would face enormous damages if it tried to back out of its agreement.<\/p>\n\n\n\n<p>Daniel Petrocelli, repping the HFPA for the trial, noted that Freedman\u2019s letter never threatened that the HFPA would pull out of the NBC deal or part ways with DCP. It was merely questioning the latter\u2019s exercise of options.<\/p>\n\n\n\n<p>Moreover, he pressed LaMaina on why, if he believed that DCP didn\u2019t need the HFPA\u2019s greenlight to do the 2001 NBC deal, he later sought written assurances from the org that its options were valid. One of the goals of the HFPA\u2019s legal team is to show that, through the years, representatives of Dick Clark Prods. sought the press org\u2019s consent, refuting the interpretation of the contract as one that gave it potentially unlimited options.<\/p>\n\n\n\n<p>Petrocelli also noted that when tensions cooled in December 2002, Fields sent a new letter asking that the HFPA affirm in writing that DCP had options to the show. But the HFPA never signed it. After that, when DCP sent checks to the HFPA, LaMaina included a cover letter saying that to cash them is to agree that DCP had the options. But the HFPA sent its own letters, stating while it is cashing the checks, doing so meant no such thing.<\/p>\n\n\n\n<p>LaMaina said that he sought the written assurances of DCP\u2019s options to the show on the advice of DCP\u2019s attorneys.<\/p>\n\n\n\n<p>By then, it was also clear that the relationship between the press org and its producer was changing.<\/p>\n\n\n\n<p>Earlier in 2002, when Dick Clark sold his company to Mosaic Entertainment for $136 million in a deal announced in early 2002, the HFPA balked that it did not know the sale was in the works until its was announced publicly.<\/p>\n\n\n\n<p>There were further bumps in the road later that year.<\/p>\n\n\n\n<p>The HFPA objected when it learned that DCP had, without its consent, negotiated a deal with NBC providing for a Spanish-language simulcast of the Globes on Telemundo.<\/p>\n\n\n\n<p>LaMaina said that based on its existing contract with the HFPA, \u201cI thought we had the right to enter into this agreement without talking to them,\u201d he said.<\/p>\n\n\n\n<p>The HFPA also is expected to argue that Mirjana Van Blaricom, its president when the 1993 pact was signed, did not have the authority to do so and that members were unaware of the \u201cextensions\u201d clause. LaMaina addressed the membership in September of that year about the NBC deal, but he did not mention the clause. Instead, he said, he left three copies of the contract DCP was to forge with the HFPA and left it up to the members to go through it. He also said that he was unaware at the time of a dispute between a group of HFPA members and Van Blaricom, charging that she was not following the org\u2019s bylaws.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>HFPA, Dick Clark Prods. feuded in 2001, 2002 The trial over the rights to the Golden Globe Awards focused Wednesday on the years 2001 and 2002, as the Hollywood Foreign Press Assn.\u2019s relationship with Dick Clark Prods. became increasingly acrimonious and members began to complain they were losing control over their most valuable asset. The [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13624,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[104,798,100,1387,119,246],"tags":[1390,799,1388,1389,498],"class_list":["post-10381","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bryan-j-freedman","category-dick-clark-productions","category-entertainment","category-hfpa","category-tv_film","category-variety","tag-daniel-petrocelli","tag-dcp","tag-francis-lamaina","tag-mosaic-entertainment","tag-nbc"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v22.7 (Yoast SEO v23.7) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Globes trial focuses on history of dispute - Liner Freedman Taitelman + Cooley LLP<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Globes trial focuses on history of dispute\" \/>\n<meta property=\"og:description\" content=\"HFPA, Dick Clark Prods. feuded in 2001, 2002 The trial over the rights to the Golden Globe Awards focused Wednesday on the years 2001 and 2002, as the Hollywood Foreign Press Assn.\u2019s relationship with Dick Clark Prods. became increasingly acrimonious and members began to complain they were losing control over their most valuable asset. 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